Wednesday, March 18, 2015
The 100 Post Season Wrap
(Warning, this is a very long, spoiler-arific post. If you haven't seen the season finale and don't want to know, then click away while you've still got the chance!)
I couldn't decide which I wanted to do more; write this blog post on the epic awesomeness that was The 100 season 2 finale, re-watch the Bellarke goodbye scene with that incredible version of Knocking On Heaven's door by Raign playing in the background, or immerse myself in the whole richly layered, chocolate-cake-like episode again (you know, if chocolate cake was deadly and made you want to cry instead of being delicious chocolaty goodness). I'll no doubt eventually end up doing all three.
But before I get ahead of myself, let's just get one thing clear. If creator and writer Jason Rothenberg keeps this up, he's going to end up on a pedestal right next to Joss Whedon in my mind for the understated brilliance he's able to bring to the screen, never letting a thing like convention get in his way.
I've watched other shows that have "pushed the boundaries" in terms of violence, sexuality and general morality, but some of those often feel empty, the violence there for shock value alone, the risque same-sex lip-locking just dipping a toe into relationship and gender equality issues because everyone else is doing it.
This season was one huge build toward the inevitable, and I just loved the domino effect that brought all the characters together in a finale that was shocking, yet totally logical in a horrific kind of way that makes you really think about what people individually, and we as a society are capable of.
But on to specifics, because that's where all the juicy stuff is.
As a writer myself, a lot of the time I watch TV shows and think in terms of plot, seeking out possibilities and then deciding on the most likely scenario, which means I'll often guess what's going to happen on a TV show before the big reveal. So I love being surprised, which is why I'm such a big fan of shows that can do that, like Arrow and The 100 have proven capable of doing.
It's obviously not beyond the realms of possibility that so far into the future, people will no longer by hung up on gender or relationship stereotypes, that sexuality and love won't be about who a persons is attracted to, but why they're attracted to them. As for today? It was a positive message, kind of almost a pointed "who cares?".
Does it matter if Clarke is gay, straight or bi-sexual? No, because it doesn't change the awesome, kick-ass heroine she is. Side note, even though I assumed nothing would come of the kiss, (because I believed Clarke and Lexa were on totally different paths, and no other reason) my poor little Bellarke heart cracked just a little.
So, no, the kiss itself wasn't all that surprising. What I did find shocking? Lexa betraying Clarke at the very last second to save her people. I mean, one minute she's admitting she cares for Clarke and is all on the Grounder-Skypeople-alliance bandwagon, and next she is literally throwing Clark and the 47 in the mountain (or however many were left by that point) under the wagon to save her people. In retrospect, it wasn't that surprising because Lexa had said over and over that duty came first and emotion had no place in leadership, but I still didn't see it coming.
Earlier in the season, just when it looked like Octavia and Clarke might become the post-apocalyptic version of BFFs (which is a weird secret fantasy of mine. I don't know why I want those two to be besties, I just do) Octavia worked out that Clarke had known the missiles were coming and chosen not to warn people, so I really thought these two wouldn't be able to stand within ten feet of each other without hostilities. But like all awesome heroes, they put those things aside to achieve a common goal.
When Bellamy came out and found them, I was hoping for another epic Bellarke hug like we got in the episode 5 reunion. But it wasn't to be, instead they shared some of their trademark Meaningful Stares. After that, I was pretty much feeling like a chocoholic in a chocolate bath as it was team Bellarke off to find ex-president Wallace.
When Cage realized that his father was indeed dead, nothing but emotion drove him to retaliate by putting Clarke's mom, Abby, on the operating table to extract bone marrow. Maybe if he had of stopped to think about it for a minute, he would have realized that this act would push an already on-edge Clarke into going through with her threat to kill everyone in the mountain, children and all.
So the lever was pushed, and I still didn't believe that this would be Clarke's legacy, I thought they would reverse the lever just before everyone died and save them at the last second. Even as Maya lay dying in Jasper's arms, I still held a tiny flame of hope. But then it was all over, and every non-ark or non-marrow treated person inside Mount Weather was most definitely dead.
Except then someone said "where's Cage?" and for a minute there, I thought the person who'd mostly been responsible for orchestrating the tragic ending was going to get away and turn up at some point next season, probably hoping the people of the ark would let him live with them because that was only a slightly better option than the grounders or living alone in the wilderness.
But Cage didn't get far before he ran into Lincoln. I expected that there wouldn't be much of a fight, until Cage whipped out one of those beacons that affect the reapers. Once again, I thought Cage would get away. But then Lincoln overcame the incapacitating tone just long enough to chop off Cage's hand, stopping the noise. At the last, Cage got his comeuppance when Lincoln took one of the injections that had turned Grounders into Reapers and injected Cage with it, telling him the first injection was always the worst, as Lincoln had been told himself inside Mount Weather.
Which brings us to a scene that will forever be in my archives as one of the best scenes I've ever had the privilege to watch in any TV show ever.
The subdued tone of the scene as the haunting version of Knocking On Heaven's Door by Raign played over it was just too perfect for words. But then it got even more perfect as Bellamy went over to talk to Clarke. At first he tried for the stoic "we'll get through this" speech, but when it became apparent that the usual pep talk wasn't going to cut it this time, he turned their relationship right back around on her, echoing the words she'd said to him in season one, that if she needed forgiveness, he would give her that. When Clarke had said them to Bellamy, she'd meant them, they'd helped him and brought them to begin their relationship as we know it toady.
Now I know that a lot of Bellarke fans think this scene a wasted opportunity for the first Bellarke kiss, but I'm actually glad they didn't do it. Maybe it would have made sense in the context of things, but maybe it also would have detracted from what was otherwise a perfect, poignant moment.
So that is my very long winded way of waxing the awesomeness that was the season two finale of The 100.
If I ever end up being lucky enough to have any of my books adapted to a TV series (Truthfully I'd love to see Rian and the crew of the Imojenna in Atrophy brought to life in the next sci-fi space opera TV series) I can only hope that it ends up in the hands of someone like Jason Rothenberg who took the idea from the books of these kids being sent to a post-apocalyptic Earth and turned it into something brilliant and epic that will no doubt be remembered for years to come. Watching shows like this inspires me to push the boundaries of my own writing, to take my characters and myself out of my comfort zone.
But back to The 100. I cannot wait to see where season 3 will take us and how the writers are going to keep up the intensity of this ground-breaking series. And it seems I'm not the only one -- the few posts I've written on The 100 have been seriously trending in popularity on my page in the past 2 weeks.
All I can say is that it's going to be a long 6+ (?) months until the premier or season 3.
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